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Art market and product orientation

Posté par admin
mardi 28 juin 2005 [n° 175]

Eric Joyner‘s Tin Robots

Interview with San Francisco Open Studios artist Eric Joyner October 1, 2004

(at Anna L. Conti)

“Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. For the last twenty years neither matter nor space nor time has been what it was from time immemorial. We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art.” (*)

–Paul Valery, PIECES SUR L ‘ART, “La Conquete de l’ubiquite,” Paris.

(*) : Quoted from Paul Valery, *Aesthetics*, “The Conquest of Ubiquity,” translated by Ralph Manheim, p. 225. Pantheon Books, Bollingen Series, New York, 1964. (**)

(**) – The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin (citation introductive à la préface)
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Product orientation in contemporary art organisations- A model of parallel convergence from French and British experiences Martha Fumagalli, Massimiliano Nuccio, – Milan (pdf)

Zeke Gallery

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